After a few delays at the label due to manufacturing plant issues (perhaps it shouldn’t be surprising how few places actually manufacture CDs in this age of downloads and streaming) I finally received my copy of La La Land’s expanded Alien 3 release. To say its been a great listen over the past few days would be an understatement- its wonderful to finally hear all that underscore that was missing on the original album release (which is also included in this two disc set). The main set-pieces were all on the original album but it left an awful lot out (my personal gripe was the music when Ripley went to the canteen and was among the male prisoners for the first time, its a wonderfully tense and evocative piece). There is a lot of underscore and atmospherics which really give character and weight to the score, and a few surprises unheard in the film. I believe there is about forty minutes of music additional to that found on the original fifty-minute album, with another ten minutes of alternates as a further bonus (the full score assembly totals ninety minutes, which indicates most of the film had music).
Back in 1992 Elliot Goldenthals score was like a breath of fresh air- bold in its orchestration, daring in its use of atmospherics and downright Wagnerian in the brutality of its horror. All these years later it still sounds just as fresh and unique. I suppose Goldenthals absence from blockbuster film scoring has abetted in his unique musical ‘voice’ seeming so unusual and rare, but its clear that there hasn’t been such boldness in mainstream scoring since (the only thing I can recall offhand is perhaps some of Don Davis’ Matrix scores). It reminds me of Vangelis’ Heaven and Hell album in a way; not in content but in the way that the music contrasts moments of serene aching beauty with moments of cacophonous depravity. Some of it is terribly haunting, emotional and sad and some of it quite terrifying and unsettling- I don’t think I could listen to this on headphones in the dark, frankly the subsequent nightmares aren’t worth risking!
Alien 3 as a film is still a divisive moment in the franchise (I’ve always been a fan myself but I know many felt robbed by it dismissing so much of what they thought was great about Aliens) but I’m sure few could argue that there is anything bad about the music. In this expanded form its clear how much it nods back to Goldsmiths original Alien score in inventiveness and mood and tension. Its a magnificent work and I’m so glad that I can finally, after all these years, put the two-disc Alien 3 set alongside my two-disc Alien release from Intrada on my shelf. Just goes to show- everything comes to he that waits. Maybe its not too late for a complete Blade Runner from Vangelis after all.