Its a pity that Paramount decided to sell Alex Garland’s quite brilliant Annihilation to Netflix for international markets rather than risk financial woes with a cinema release, but considering what films are successful out there these days and what cinema audiences seem to prefer it’s a perfectly understandable decision, sadly- not one I agree with, but I can understand their thinking. The film is certainly a tough sell and demands a lot from the audience, including patience and a willingness to do some work, and the ending is indeed, while I won’t go into spoiler territory, something that must have made the execs nervous.
That all said, this film finally got me subscribing to Netflix and I’m so glad I did- this one film worth a months subscription alone (and hey, I get a free month first anyway). While I’m sad that I won’t be able to watch it on a big screen, I’m glad I won’t have to suffer the irritating mobile phone habits and other moronic behaviour that is infecting modern cinema audiences, instead thrilling to this brand new film in the comfort of my home. Maybe this is the future for serious science fiction films anyway- while its wrong to think of BR2049 as a failure (sure it didn’t break even, but it did pretty well considering its length/certificate/intelligence) and no Netflix deal might have saved it, there is certainly an argument to be made to leave the cinemas to the mindless blockbuster spectacles. You just have to manage the budgets a bit more effectively, I suppose, and question if BR2049 and Villeneuve’s upcoming Dune simply have to be huge to tell their story or if instead its possible to go with a smaller scope.
At any rate, Annihilation is a wonderfully intelligent, thought-provoking and emotionally demanding science fiction film. In places its as horrific as Carpenter’s The Thing, in others as fascinating as Villeneuve’s Arrival, in others as disturbing as Kubrick’s The Shining and as mystifying as his 2001: A Space Odyssey. If that description doesn’t make this film essential to you then I pity you. Its pretty wonderful and the fact that a studio doesn’t think that it can release a film such as this in cinemas is pretty damning, really. But here we are, its 2018 and cinema and television and how we watch films is changing all the time (I sincerely hope we get a disc release with a commentary and other extras eventually).
Like in Arrival, there is a real sense of something truly alien and strange in this film, something transformative about the experience of watching it. There all sorts of subtexts and mysteries playing within it. Is the visitation that creates the Shimmer, a region of expanding space that threatens to eventually consume all the Earth, an event of Extra-Terrestrial contact or of a religious one, or both? Is the film actually about our bodies betraying us, the horror of cancer, of having no control of what is within us, makes us? We see tantalising glimpses of something utterly alien and beyond human understanding, and yet at the same time the horrors are familiar, internal ones. Transformation from self-destruction, everything that lives, dies, and we lose everything, even our minds, eventually, given Time. And even Time betrays us.
Beyond that, I won’t say anymore about this movie. I think it’s wrong to spoil any of this movie and I hope everyone gets to see it unaware of the secrets/pleasures ahead of them. In awhile I’ll return to this film in more detail but for now, yeah, it’s as good as everyone says and I hope everyone who wants to gets to see it (not everyone has Netflix or wants it). While just sitting down to watch a new movie still playing in cinemas Stateside was something of a pleasure it is also something of a poisoned chalice for fans of serious science fiction or adult film making in general. Is this, afterall, the future? And it can’t be denied, no matter how much I enjoyed this film, it would have been an immeasurably more powerful experience in the cinema.