Clearly an example of style over substance, I nonetheless really enjoyed this one- no doubt partly because I enjoyed the John Wick films so much and this has a distinct whiff of being John Wick from a female perspective (oddly timely, I guess, if you can look past the sexual objectifying thats going on throughout). Certainly, from where I’m looking, Charlize Theron is far easier on the eye than Keanu Reeves (can I get away with mentioning that in this day and age without offending someone?), and she handles the physicality of the role very well indeed- she looks gorgeous and you rather believe she’s deadly too the way she carries herself in a fight Those fights are well choreographed and pack a real punch (sic), and the film succeeds, in just the same way as the first John Wick did, to revitalise the action flick genre. Seems the era of Bruce, Arnie and Sly is well and truly over, and there’s a new boy and girl in town. Indeed, recalling Theron’s film-stealing turn in the recent Mad Max reboot, she’s scored again here in spite of originally seeming more of a serious actress than an action girl. Ridley perhaps miscast her in Prometheus, I think she’d have carried that film better as Dr Elizabeth Shaw on the evidence of her physicality here.
Atomic Blonde looks and sounds quite gorgeous, shot on digital with an ultra-stylized look (neon-drenched one minute, dreary grey the next) that will be familiar to most- when it ‘pops’ it ‘POPS’, and the 1980s setting allows lots of music from the period to be liberally applied to every scene. As might be expected, the plot is fairly thin -it is set mostly in East Germany of 1989 just prior to the fall of the Berlin Wall, and both sides of the Iron curtain are after a list of agents that threatens to extend the Cold War if it gets in the wrong hands. To be honest, the plots almost a macguffin in the best Hitchcock fashion, as it didn’t really matter, and to be honest I didn’t quite understand the logic of the films twists and turns at all. Its a Russian list which a Russian is selling to the West, but the West doesn’t want the Russians to get it because it could cause the deaths of lots of Western assets. But surely its Russian spies on a Russian list, not a list of Western assets that the Russians need to get hold of, and there’s a double-agent on the list who wants to derail the whole deal in the most long-winded way and there’s a French female operative who doesn’t really fit in but she’s just there for Charlize to enjoy some lesbian sex thrills with… I don’t know. Ultimately it really doesn’t matter, it just sets up lots of fights and stunts and double-crosses. There’s a last epilogue twist that is perhaps one twist too far (actually there’s two twists there -first she’s a double agent working for the Russians and then she’s a double agent working for Langley, and neither makes sense). Its no classic spy flick, anyway. but I suppose it’s really just an action flick posing as a spy flick, so maybe it gets a pass.
Besides, the cast, while somewhat wasted, is pretty great- John Goodman, Toby Jones, James McAvoy all ably support Theron who is, yes, great in the main role. Its hardly demanding stuff but it is what it is. Complaining about it would be like bitching about a Star Wars film being all effects and wasted actors…. oh, wait…
I expect this film was designed, as so many are these days, to launch a franchise and I certainly wouldn’t mind another outing for Charlize in another one of these. I suppose that depends on its box office, so we’ll see. A better script that develops her character beyond the ‘beautiful-but-deadly’ protagonist demonstrated here would be nice to see.