Ratched (Season One)

atchedposterThis was brilliant and appalling in equal measure.

Firstly, and here’s why I waited until now to watch it (this originally dropped on Netflix in September last year) – what’s the preoccupation with prequels and origin stories? This series could be about anyone, they could have written about an original character and told the exact same story, it didn’t need to be Mildred Ratched of One Flew Over The Cuckoo’s Nest. It could have been any nurse, in any asylum, in any place (in fact it probably is, as the film took place in Oregon, not this series’ California), and the character as far as I recall (its been many years since I last saw the film) was not some super-heroine needing an origin story.

So what gives? Is it all just about having a ‘hook’, a gimmick, to hang a series over, to make ‘selling’ it easier?  Is this where we are now with getting anything greenlit by a studio? Are creatives so bereft of ideas that they have to mine all their film collections looking for any possible narrative hook to spin from? Or is the only thing studios/streamers understand now the Marvel MCU/Disney Star Wars school of carpet-bombing an IP for any possible spin-off?

To add a further mix of confusion, this is essentially a remake of Ryan Murphy’s second season of his American Horror Story, which was titled Asylum, and even stars one of that season’s stars, Sarah Paulson, as the titular character Mildred Ratched. Like Asylum, Ratched is full of bizarre characters, crazy situations, gory deaths, violent ends: a delirious cacophony of excess. People are lobotomised, boiled, shot, burnt, impaled, stabbed, smothered…

Not once but several times did I shake my head and comment to my wife “these characters are all monsters.” You could argue there is not one redeemable character or anyone slightly approximating ‘normal’ here at all: a rogues gallery of misfits and oddballs. Indeed it has a pretty formidable cast lining up as these freaks: Judy Davis, Cynthia Nixon, Sharon Stone, Vincent D’Onofrio, Corey Stoll, Amanda Plummer, its a pretty cool bunch of character actors competing in the chew-the-scenery stakes, and I’d argue the show actually gets stolen by Sophie Okonedo who plays a patient with multiple personalities: she is absolutely the best reason to watch this show. She’s a murderous female Two-Face multiplied by ten and I could watch her in a show of her own (hey, maybe this show has already got its own spin-off sorted).

One sequence has a prisoner on Death Row being taken to his execution room, the viewer having been shown in slow graphic detail the process of said execution via lethal injection. Once in the execution room however, the waiting Governor Wilburn (D’Onofrio) gleefully pulls aside a white sheet covering the apparatus to reveal it has been replaced by an electric chair. The prisoner shrieks in horror as he’s strapped in while Wilburn reaches to the power switch and fries his victim- here’s a politician who gets his own hands dirty for the votes.

You either accept the camp, pulpish fun of it all being written in big thick crayon or snort in disgust and reach for the off button: as much Wretched as Ratched. For my part I actually enjoyed it but I admit feeling a little guilty about that- I was watching it aghast at some of the twists and turns feeling I was being had most of the time. A character is shot in the stomach and near death one minute and a few scenes later is up and walking around fine (the scenes in between being about another character on the run from the police and caught the next morning only adding to my confusion re: the passage of time). You just cannot take it seriously as it stumbles over plot holes and characters doing bizarre 180’s just because it suddenly suits the plot (such as there is one). Usually you get an interest in a character just before they get murdered in horrible fashion but the six characters that survive to the end of the finale are thankfully the best and hint at great possibilities for a second season.

I was a fan of Murphy’s American Horror Story show and rate Asylum as its best offering by some margin, so watching a Greatest Hits remake of that show was pretty perfect for me. Murphy would be no doubt horrified at me lazily summarising Ratchet as Asylum MkII but it appears pretty clear to me. I’m just mystified why they likely wasted so much money getting the rights to the Mildred Ratched character at all, any links to the film appear pretty tenuous to me so far and it would be no worse being something wholly seperate, unless the second season ties things up somehow. But tonally, this is definitely more American Horror Story than One Flew Over The Cuckoo’s Nest by a very considerable gory margin.