Its becoming clear to me that August has been a largely a month of re-watching movies, whether it be because of new 4K editions (True Romance), revisiting films that perplexed me first time around (Tenet), or just revisiting old favourites, as in the case of this film, the noir classic Murder By Contract, which came out as part of the second of Indicator’s Columbia Noir boxsets and which I first watched back in March. The fact that I have returned to it within the space of six months hopefully indicates the high regard in which I hold this film. Its really quite extraordinary. There probably isn’t anything more I can say about the film that I didn’t when I first reviewed it, but it is a remarkably cool film, from the catchy guitar score by Perry Botkin (which so good its unfathomable that Tarantino hasn’t used it in one of his films somewhere), to the deadpan performances of its cast, particularly that of Vince Edwards as psychopath assassin/amateur philosopher Claude, a character who will haunt me for years. Part genius, part idiot, a handsome dude who is horribly detached and casual in his violence until he finally, incredibly comes undone by his final target. It’d be a bit akin to casting a young Harrison Ford as Jack the Ripper or Scorpio; you want to be with Claude as he seems so cool but you know you’d be much safer in another country.
Released in 1958 (with such a low budget it was allegedly shot in just eight days), Murder By Contract was made at the tail end of the ‘classic’ American noir period, nodding towards the stylistic changes that the 1960s would bring (and the eventual advent of neo-noir). As much as it is a richly bleak noir it is a very, very black comedy. In some moments, its a little like the Wile E Coyote/Road Runner cartoon hijinks transported into a noir movie and really quite unlike any other film I have seen, other than Kiss Me Deadly and Taxi Driver, two examples which hopefully indicate just how odd a film this really is. Its a work of some crazy genius, one of the best films I will have watched this year, and I wouldn’t be surprised if I give it another watch before the end of the year. Some films really make a connection and this one did with me.