Party like it’s 1989

I’m always slightly amused by studios and/or their marketing departments focusing so much on anniversaries when releasing or re-releasing films on disc. I’d buy a copy of Alien on 4K disc whatever year it came out, it doesn’t have to be the film’s fortieth anniversary, but hey ho, there you go. So anyway, this year we seem to be getting reminded of certain film’s 30th anniversaries this year- The Abyss appears to be getting a new 4K scan or master for release later this year (originally released 9th August 1989, I guess it will slip a bit later than that for a disc release in the Autumn), and Field of Dreams is getting a 4K disc release in May. Unannounced but surely coming is Tim Burton’s Batman, another film from 1989 (looking back, I always feel like 1989 was the year of Batman– it was all over the place in the media, a huge ‘event’ film in the same way Star Wars was). Before all these, Pet Sematary gets a 4K release next week, partly due to its thirtieth anniversary but also thanks to an incoming remake/reboot (hey, before you watch the new one, here’s the old one to watch first so we can make a bit more money out of it).

So anyway, its been getting me a little nostalgic for 1989, which on the face of it never occurs to me as a great year for films, but now that I think of it (and consider those 4K disc/Blu ray release schedules) I have to admit, maybe it wasn’t such a bad year at all. I used to go to the cinema quite a bit back then, and can vividly recall shedding a tear or two to Field of Dreams (in a good way, it’s not as if it was a terrible film or anything, I’d reserve that kind of emotional reaction to something like Black Rain), and coming out of a matinee screening of The Abyss into a full-blown storm, torrential rain lashing across the cineplex car-park in a tempestuous gale that was like I’d brought the film out there with me, one of those disorientating moments that last with you forever.

I remember watching Born on the Fourth of July and Glory on the same day. We went to see Born on the Fourth of July in the afternoon, went home to have a chip tea then went back in the evening to see Glory. Now, the funny thing about that was, we all expected July to be the better film, but were totally amazed by Glory, really swept up by it. It had a phenomenal score by James Horner, and a great score is something I always react to in films, no doubt a big part of why I enjoyed it so much. Another film I saw at the cinema that year with a great score was The ‘Burbs, and I remember scouring record stores looking for that soundtrack for months in vain. Yeah, it was a good year for soundtracks, as I recall, though it would take years for me to finally get a copy of The ‘Burbs score on disc.

Not every cinema trip was as thrilling, mind. 1989 was also the year of Star Trek V: The FInal Frontier, The Adventures of Baron Munchausen, and, yes, Black Rain, and The Fly 2. Not films I recall really enjoying at all. I remember coming out of Pet Sematary more impressed by the music than the film- I bought the Varese CD and years later the La La Land expansion, but never actually saw the film itself again at all. It was also the year of Indiana Jones and the Last Crusade, a film I enjoyed at the time but has really worn thin on me over the years since. Its a funny thing, how films you were once wowed by later lose their charm, but films you didn’t ‘get’ the first time around sneak up on you (Munchausen is such a crazy maddening folly of a film I eventually couldn’t help but fall in love with it).

Thirty years, though- scary. Mind, I was looking up both Glory and Born on the Fourth of July online and they were released in December 1989 in the States, and it certainly wasn’t December when I saw them, so suspect it was later in 1990 when I saw them that day over here in the UK- release dates could be really staggered back then. After so many years it’s hard to remember very clearly, although I can remember sitting in the cinema at the time and looking over at my mate Andy after Glory ended, both of us shell-shocked by having watched not just two war films at the cinema that same day, but two damn good films at that.  It would never happen again- it’s funny sometimes, you just never know, in the moment, just how special/unusual or unique a day really is. They just come and go but perspective lends us clarity- and thirty/twenty-nine years, whatever it is, it’s certainly some kind of perspective.

Half Man, Half Ant, All Terror!

matinee2017.35: Matinee (1993)

One of the few Joe Dante films I hadn’t seen, I admit I’m spectacularly late to the party with this one. As it turns out, it’s an utterly charming film that deserves a reappraisal- it may turn out to be one of Dante’s very best. It has the feel of The Burbs, and if you enjoy that film, I’m sure you will love this one. It has that same gentle tone of warm comedy and pokes fun at its characters and its situations- anyone who grew up watching the sci-fi b-movies made in the 1950s, full of Cold War paranoia and wild fears of radiation will find much to enjoy with its film-within-a-film, Mant! which serves as a delicious tribute to all those old movies (“oh, Bill….!”).

And of course, being a Joe Dante picture, there are plenty of actor cameos from other Dante films, which offers a great drinking game for genre fans- it is like meeting old friends and it is fun noting them and the other Dante films they appeared in. It even has a great little score by Jerry Goldsmith that serves to remind us how much films have lacked since his passing, and how much soundtrack music has changed for the worse.

What surprised me was just how substantial the film is. It doesn’t just poke fun at old 1950s b-movies, it recalls with some sincerity the Cuban missile crisis of 1962 and an era when nuclear apocalypse was a very real fear. There is a wonderful juxtaposition of the real crisis and the real drama, reflected in  the exploitation of horror movies of the time with their giant insects and science gone horribly wrong.

Sometimes films are made and released at just the wrong time, and for no fault of their own fail to find an audience. Thankfully, sometimes they eventually get their due and I suspect that this Arrow edition on Blu-ray will ensure that Matinee is now discovered by genre fans who missed it first time around, if only they will give it a try. Certainly it is a must-see for any Joe Dante fan. Why in the world is he no longer making films?