Twelve Monkeys, 1995, 129 mins, 4K UHD
Arrow seems to have run afoul of a faulty master provided by Universal for its new 4K UHD edition of Terry Gilliam’s wonderful, bizarre and disturbing Twelve Monkeys. It actually features on their Blu-ray edition from a few years back, which I didn’t buy because I was hoping to see a 4K edition sometime down the line (pity I didn’t adopt same practice with their Robocop release, but hey-ho). Its a glitch in the edit, somehow, in which about 15 seconds of video is repeated, while the audio track continues correctly. The weird thing is, very few seem to have noticed it on that Blu-ray; it occurs at a fortuitous ((if that’s the right word) moment during some disorientating camera moves and tight edits and can easily pass people by; I’m sure most viewers never twigged it- I’m not even sure I would have noticed it had I not been warned/enlightened.
Didn’t spoil my enjoyment of the film at all, and its rather curious noting on forums that many are refusing to unwrap their copies and are returning them or getting increasingly irate over a replacement disc. Essentially those people are right, there is something wrong with the release and purchasers have every right to expect a ‘proper’ copy without any faults or glitches at all. My old VHS copy got it right, after all, so shouldn’t a brand-spanking new top of the line 4K UHD disc be the same? Of course it should. But this film isn’t broken, and unless you’re really looking for it, it doesn’t pull anyone out of the movie. Indeed in an odd way, it seems rather fitting for a Gilliam film, a sort of meta-reference to the nightmarishly inept bureaucracy of Gilliam’s earlier masterpiece Brazil (now THERE’s a film I want to see on a 4K UHD SE release). Maybe Gilliam himself would appreciate the humour in it. The important thing is that the film looks gorgeous in 4K, its really quite lovely and of course the film is only more effective/more harrowing than ever in our post-Covid world.
But it set me thinking about the theatrical cut of Blade Runner in 1982, complete with dialogue continuity errors, visible continuity errors, scenes played with the wrong dialogue take so that lips weren’t moving when we ‘heard’ someone talking, sequences with cables clearly hauling up spinner vehicles into the air or sitting off-corner where we’re not supposed to see it yet. The film wasn’t accidentally mastered and released like that, it was literally made and finished like that. Now that’s a broken movie- even though I loved it all the same.