2016. 27: Batman Vs Superman: Dawn of Justice (Cinema)
I have to keep reminding myself; its ‘just’ a superhero movie. The whole genre is daft, isn’t it? You get grown guys dressed up in silly costumes and a genre increasingly taking itself far too seriously and you wind up with films like Man of Steel and BvS. Talented guys like Zack Snyder give too much credit to the passions of geeks and nerds and teenage comics readers and we get misguided films like this that believe that comicstrips can be like Shakespeare or something. Weighed down by self-importance and juvenile politicising and scripts that cover up massive plot-holes with CGI bombast until that very CGI bombast becomes the be-all and end-all of everything.
Sod it. Let’s start again. My favourite superhero film is Superman: The Movie. It’s a classic lesson in how to treat a comicbook with respect without taking itself too seriously. Its a fine line, I admit, but there is a limit to how seriously this stuff should be taken. Guys in tights, you know?
Another thing about Superman: The Movie. It’s kind of aged, because, well, it has– it was made in the ‘seventies. It dates back to photochemical effects and miniatures and is pre-CGI. But it still shines today because Christopher Reeve was genius casting and it’s him who makes you believe a man can fly. You love his Clark Kent, admire his Superman. You don’t have to lay waste to Metropolis and slaughter thousands of innocents to make the film exciting. Superman cares about burglaries and cats in trees and planes falling out of the sky. He’s a good guy. That’s all we need to know.
You see, Superman: The Movie wasn’t made by geeks for geeks. It was made by ordinary grown-ups for family audiences. There was a grounding of reality about everything. My question is, are the geeks ruining films? Have they inherited Hollywood and usurped the old storytellers?
Because here we have BvS. It says everything about where the genre has gone over the decades. We first had Superman: The Movie, we later had Batman. Now we have Batman vs Superman and its about as intellectually stimulating as the title suggests. I mean, that whole ‘Martha’ thing. How stupid do these film-makers think we are? And the first time Supes meets Batman, Batman is clearly chasing bazooka-wielding bad guys, but Supes gives them a pass in order to bust open the Batmobile and tell Bats off. And what exactly was Lex’s superplan to rule the world with Doomsday? How the hell was he expecting to control Doomsday once it had killed Bats and Supes? And Supes can hear/see Lois in trouble wherever she is, but can’t hear/see a bomb hidden in a wheelchair right in front of him. He can travel faster than a bullet but can’t get that bomb out of the building just as it detonates. Did Snyder learn nothing from reading/making Watchmen?
It’s a big mess of a film. It doesn’t have one protagonist, it has two. Or three. Or four, depending on who we count. It doesn’t have one plot. It has two or three spread across separate timelines, some of which may be dreams or visions or mis-remembered memories or clips from future films. Again, did Snyder learn nothing from reading/making Watchmen?
My first thoughts walking out of BvS? That it wasn’t as bad as the reviews made out. That I sort-of quite enjoyed it (whilst knowing that I really shouldn’t have though).
There doesn’t seem much point reviewing this film. Its already become an ‘event’, perhaps even more so than Disney’s relaunch of Star Wars. Suffering a delayed release and endless marketing and leaks (the trailers simply revealing – and promising- far too much) it seems evident that even during production the film was being retconned into less just a single film but more a launchpad for a whole series of other films, subjecting it to a tension that clearly always threatens to rip it apart and undermine the whole enterprise.
The Corporate stakes are huge: Warners and DC need the film to launch a film franchise to counter Marvel’s huge series of films after the faltering Superman Returns and Man Of Steel reboots and they also need it to work on its own and recoup its huge (anything from $250 to $400 million) production costs. Maybe even impress both the critics and the fanboys while it’s at it too. Well, good luck with that.
A better film had the line, the light that burns twice as bright burns half as long and it’s never truer than regards BvS. It burned so very, very brightly – subjected to largely vicious reviews from the press, fanboys themselves were largely split on the films merits with huge emotional debates becoming angry and personal online (fueled by some predictable Marvel vs DC nonsense too). The box-office has been initially amazing; contrary to those reviews, the film managed a huge opening weekend but was subjected to a corresponding massive drop-off by the second week (some outlets already quoting an 80% drop-off, even the most conservative estimating a fairly damning 70% drop). The film was scarcely in cinemas when release dates for an extended cut were being mentioned for as early as July and attention turning towards that as if the cinema release was already done and over.
As I’m writing this, the film was released little over a week ago, and already it almost feels all over. Everything has been said. Its almost scary. How much has been discussed and dissected on forums and on Youtube and media outlets? Its almost boring already, and the film has only been out just over a week. What on Earth is the Cultural half-life of a Hollywood blockbuster now? Or the timeline of its box-office: days? Weeks? A month? How much money has been spent on making and publicising this film, how much spent on distribution and marketing, how much spent by filmgoers, casual and otherwise (I know of one guy at work who has seen the film three times already), how much has been spent on merchandising and how much spent preparing for its home video release?
I have the feeling that we need a year or two to go by before we can really judge this film and even then we have to have some frame of reference to go by. By which criteria does someone judge it anyway? Do we judge it on its own artistic merits, or on how well it ultimately performs at the box office and more importantly how that impacts the succeeding DC movies? We have Suicide Squad this summer and the Wonder Woman film being shot right now. There are already rumours of reshoots for Suicide Squad, how long before reactions to BvS affect the making of Wonder Woman? Its like BvS isn’t just a film anymore- maybe it was never ‘just’ a film, and thats the root of all its issues.
So anyway, here’s my take, for what it’s worth.
1) Ben Affleck. The best Batman ever? I really think he might be. His haunted Bruce Wayne is borderline psychotic and he absolutely nails the Batman. He looks pretty definitive in my book with a huge physical presence. He just deserved a better film. No, he deserved his own movie. Which leads me to-
2) There’s much more Dark Knight Returns in BvS than I had expected. I have two differing thoughts on this. On the one hand, had Synder really wanted to just make Dark Knight Returns then maybe he just should have, and dropped all the Man of Steel tie-in stuff altogether (and certainly all that Justice League worldbuilding too). On the other hand, there’s more to the Batman than Frank bloody Miller, and it’s past time film-makers managed to shake the curse/weight/inspiration/shadow of DKR from the character. It shaped/handicapped the Chris Nolan trilogy and clearly inspired so much of BvS but surely its done now. Besides, DKR isn’t even canon. DC has always said it exists in some alternate universe away from the ‘proper’ character.
(There’s even a very fine animated movie of DKR that does the story well so a live-action version is surely already redundant but… I have the horrible feeling that, even with so much of it featuring in BvS, we will one day see a ‘proper’ live-action complete film version of DKR someday in the future. Maybe it’ll be ten, twenty, even thirty years from now, whenever it happens, it’ll happen. They just can’t leave the bloody thing alone).
3) Henry Cavill is awfully bland. I don’t blame Cavill for this, I’ve seen him much better in other stuff- in his defense, its the depiction of Superman in these films that is still pretty bland and boring. He was ill-served by Man of Steel and is just as ill-served here, maybe more so. Zack Snyder seems to have confused Superman with his Watchmen film’s Dr Manhattan. Superman is not Dr Manhattan- someone should tell Snyder that. But BvS continues to ask the same questions as MoS and it’s getting just as mired in them; we don’t trust our leaders, as they evidently prove corruptible and weak, so if there was a Superman, how could we trust him? It’s pointless really because after two films it still doesn’t seem to be going anywhere. One thing I was curious of- there is plenty of questions in BvS about Superman, but all the public/police/politicians etc seem okay with that Batdude terrorising Gotham. What gives?
3). BvS is a much better film than Man of Steel, and yet Snyder still makes some of the same mistakes. Snyder seems to confuse drama with noise, visual as well as aural. Man of Steel did not need to blight MOS’ Kryptonian prologue with a huge sky battle/CGI shitfest. It did not add any gravitas or drama to it. Neither did it need the Planet-killer sequence or Metropolis laid waste. Battering audiences over the head with cartoon CGI theatrics does not add dramatic involvement or excitement. MoS would have been more interesting had it just comprised of Henry Cavill’s Clark Kent wandering the planet trying to find his place in the world and hiding his powers while helping save people. It could have left donning the Superman suit until the end, made it the film’s climax. BvS addresses some of the fundamental excess of MOS’ ill-thought Metropolis battle in a novel way by forming its plot around its aftermath and justification, and yet forgets its own lessons by falling back into another CGI shitfest in the battle with Doomsday. Its almost boring. No, it is boring. Context is thrown out of the window with CGI characters and CGI explosions and… yawn.
4) About boring- too many heroes equals too much CGI nonsense and it’s just too bloody boring for words. The most dramatic moments in the entire series of Star Wars films are those between Luke and Vader in TESB. Two combatants in a fight that is dramatic and involving and personal and weighted by a sense of reality. You don’t have Luke jumping across huge chasms or Vader firing lightning from his fingers. Just two dudes sword fighting with laser swords (the laser swords is conceit enough, the drama is in the conflict, the opposing characters and their ideologies).
Each successive superhero film seems to be throwing ever-bigger odds against an increasing roster of protagonists and, well, Age of Ultron was boring as shit. That whole finale with hundreds of little Ultrons attacking our band of merry superhumans in slo-mo was utterly boring. Its the big danger facing superhero films today- they are getting too big, becoming too much like video-games. Future Justice League films seem hellbent on continuing this trend. Each of these films seem to think bigger is better and the idea of Snyder having a roster of several heroes battling some bad guy even bigger than Doomsday fills me with dread, frankly. But I do worry how far this genre can go before making things utterly abstract and the stakes utterly redundant.
5) Oh thats quite a bloody ’nuff about BvS. Two thousand words and I haven’t mentioned Supes meeting the ghost of his dad on a mountain for a chat about causality. Here’s hoping that the Ultimate Cut fixes everything. And maybe that somebody somewhere in Hollywood starts to exercise some kind of restraint with these superhero movies eventually.