Here in the UK there seems to be an exclusivity deal running at the moment between Disney and Amazon, that ensures that the 4K editions of the Star Wars films are limited to the boxset of all nine ‘Skywalker Saga’ films which means that those of us who just want the Original Trilogy films, or Rogue One (which hasn’t been released over here in 4K at all), have to shell out for the boxset, wait for the inevitable single-disc releases when the exclusivity deal ends, or go the import route.
Initially, I was fine waiting out, but as I’m stuck on a two-week vacation at home (where I’ve been stuck for eight weeks already on lockdown, working from home) I figured maybe I should treat myself. Avoiding the scalpers on Ebay (I love The Empire Strikes Back but £45 for a copy of it on 4K? Get the frak out of here, that’s LaserDisc-era nonsense) I sourced Scandinavian copies of Rogue One, Star Wars and The Empire Strikes Back (that’s my idea of a Star Wars trilogy) that actually even cost a bit less than they will likely do when released over here, and with English packaging they are no doubt pretty identical, too, other than the certificate logos (which are smaller than ours, as a bonus, and off the spine too) and that they are minus slipcovers. So all good. Rogue One and Star Wars arrived yesterday, with The Empire Strikes Back on the way and due early next week.
Its the last time I ever buy these films, I’m sure – which seems a curious way to rationalise it, considering how many times I’ve bought Star Wars films, and I’ve limited my spending to these three – as I say, what I consider to be a pretty perfect trilogy. I think the only way they could ever tempt my wallet again is by releasing the original unaltered theatrical editions but that’s so unlikely at this point I’m safe to say this is the last time. To some it would make more sense to have ordered Return of the Jedi, too, but I had issues with that film even back in 1983 (revisionists may cite the Prequels or Disney saga films as the points at which the rot set into Star Wars, but for me it will always be Jedi, when Lucas clearly lost interest and wanted done with it all). Part of me wonders what the experience of Jedi is even like now that JJ Abrams pissed all over it with his The Rise of Skywalker nonsense, but I have the Blu-ray boxset to try that out someday, if ever the fancy takes me.
I’m clearly stuck in a rut buying 4K editions of my favourite films, even if I do usually wait for the sales to come around. I’ll work that out eventually.
So anyway, I watched Rogue One on 4K last night and it was gorgeous, absolutely spectacular. Shot on 6K cameras, and then given a full 4K Digital Intermediate, the film looks remarkable on this disc. Star Wars and Empire will both no doubt suffer in comparison (although hopefully improving on the earlier HD releases) but this film is just ‘wow’ near enough all the way through. Stunning detail from the costumes and props to the sets and the visual effects work, and the HDR really adds depth and ‘pop’ to make the whole thing look vibrant.
I hadn’t watched the film in quite awhile, so it was interesting to watch the film and reappraise it. Its not perfect and stumbles at times -the first third of the film feels awkwardly put together, as if its edited highlights of a longer film/treatment- but on the whole its a fantastic Star Wars movie, with great characters and a great plot. Unlike the Star Wars saga films, this film really has the feel of authentic Star Wars, in how it looks and sounds. Sure there’s quite a lot of fan service but it all supports the story rather than distracts from it, serving the film in a similar way to how such fan service aided Blade Runner 2049 and more recently Doctor Sleep.
What made me really curious about it, though, is all the things they did so right in this one that they turned away from or got so wrong in the other Disney Star Wars films. How did Solo, for instance, turn into such a mess, and while this film features a female protagonist and a racially diverse cast it does not labour any wokeness to such an extent that it irritates as it did in The Last Jedi. Here it feels inclusive and supportive, not dominating anything to the detriment of the plot. What also helps this film is that through that awkward first third and onwards, the film just gets better and better as it goes, building to a tremendous climax that is spectacular but also emotionally involving in ways that most Star Wars films aren’t. I was also struck by how well staged and choreographed the climactic space battle is compared to those of The Force Awakens or The Rise of Skywalker. Again, one has to wonder what lessons weren’t learned, or why Rogue One did some things so well that others stumbled with. Maybe its the personnel involved. I won’t necessarily suggest that the films director Gareth Edwards was wholly responsible, as the film was rumoured to have a troubled post-production with considerable reshoots required that I think he wasn’t involved with, but that’s a story we may never really know unless someone gets permission to write a candid book about it.
The music score was really great too, I’d forgotten how well that worked in sounding like a Star Wars movie but having its own identity, too, something even maestro John Williams struggled with in the last trilogy.
When Rogue One finished with its grand tease of the opening of Star Wars I had to refrain from having a very late night and spinning up the Star Wars disc. Maybe tonight then. Must say, I haven’t enjoyed anything Star Wars this much in ages.