There certainly seems to be a problem with all these ‘old’ intellectual properties. Star Trek seems to be suffering a similar existential angst as Star Wars. The issue, of course, is that Star Trek dates back to the 1960s, and Star Wars to the 1970s, and here we are in 2018 and they are still trying to be valid and of the times we are living in. It’d be a bit like trying to bring back the 1930s serial Flash Gordon and expecting it still be modern and of our time- you could update it I guess but it wouldn’t have the b&w innocent charm of those serials, in a similar way to how Snyder’s Man of Steel update of Superman lost so much of what appealed to fans of Donner’s Superman: The Movie (the irony being that Superman Returns tried so hard to replicate the original and got criticised for just that).
My gut thinking is, ‘why bother?’, why not just do something new? What makes anyone think that Star Wars is really anything more than a trilogy released between 1977-1983? Was the biggest problem for Lucas’ prequels that they were a product of the 1990s-early noughties, and that the whole franchise should have been left behind, a problem doubly compounded for Disney trying to now do it decades later still? Is it possible, for instance, to return to The Matrix now, continue that series as if it could be just as valid now as it was back in 1999-2003? Like the old adage, ‘you can’t go home again’, if you have to change everything so much that it no longer looks or feels like the original, then why even bother?
Why indeed keep looking at the past, instead of developing something genuinely new and of our time?
So anyway, Star Trek: Discovery is yet another attempt to resurrect that old 1960s series whilst making it new and valid, albeit with the additional noose around its neck of being a prequel set ten years before the adventures of Kirk and Spock of the original show. It does seem the common perception these days that prequels just don’t work and we haven’t arrived at that perspective by accident. On the one hand, prequels are always handicapped by dramatic consequence- in the recent Solo movie, for instance, we ‘know’ from the outset that Han and Chewie will survive simply because they have to, as they appear in the original Star Wars movie set years later, as does the Millenium Falcon, so any tension we feel during action sequences etc is, er, severely hampered. Also, prequels cannot help but be seduced by unnecessarily fan service- in the case of the Solo movie, how Han met Chewie, how Han won the Falco from Lando, etc. Its like ticking boxes rather than telling a honest dramatic story.
So anyway, Star Trek: Discovery would quite possibly be a great space opera were it not for the fact that its pretending to be Star Trek. I mean, let’s be clear, it’s not Star Trek. It may have the name in its title, and it may have Vulcas and the Federation etc but its not Star Trek. The show’s Klingons are not Klingons. They do not look like Klingons, they have a language that requires subtitles and they don’t really behave like Klingons- certainly not the same Klingons that contested with Kirk back in the original Trek. Likewise all the tech thrown around in Discovery, the ships and the holograms and everything, its amazing and pretty to look at but it’s no way predating Kirk. A hundred years later, maybe, sure.
So my issue watching Discovery is simply this- it’s not a bad show, really, but it should be its own show. Slapping Star Trek on it is just, well, it doesn’t work, because it doesn’t look like a Star Trek show or feel like a Star Trek show, then, indeed, why bother? The writers seem so enamoured with updating everything and making it culturally relevant to ‘now’ that it loses sight of what the simple pleasures of the original were, and frankly if it insists on that, why call it Trek? I kept watching this show and I quite enjoyed it, but it never really felt like Trek and all the way through I kept asking myself why did they bother? What was the point of the show other than making money and appealing to an established fanbase rather than making one of its own?
Another issue is that it feels indebted to Roddenberry’s own revisionism in Star Trek: The Next Generation, in which he laboured the utopian ideal of Star Trek with no-one arguing or falling out or getting paid or having any life beyond Star Fleet and hopping around the galaxy. Its an irony that the characters of the ‘sixties show feel more ‘real’ than those of subsequent series simply because they are living, breathing characters having wild west-adventures in space without idealising how people behave or saddling everything with a Prime Directive that kills any dramatic tension.
But at least they keep the design of the original phasers, I guess we should be thankful for that.