Oh dear. Flatliners meets Brainstorm and it ain’t gonna be pretty. Its funny really, watching this so soon after rewatching 1989’s Pet Sematary, another film in which fools embark gladly on playing Frankenstein and things go very badly. It’s as if movies are made in some alternate universe in which no scientist has ever read Mary Shelley or watched any horror film about bringing back the dead. I suppose it gets points for resurrecting a dog first instead of a cat, but still, when the inevitable accident happens and our heroes are ‘forced’ by cruel circumstance to use their new science breakthrough on a human subject, it’s clearly not going to end well. One of the scientists teases us with the old adage that humans only use 10% of their brains, but only people paying the film 10% of their attention could be surprised how things turn out, it’s so routine and poorly telegraphed throughout.
Which is something of a shame, because the cast is pretty good -Mark Duplass (so good the other night in Paddleton), Olivia Wilde, Donald Glover, Evan Peters, Sarah Bolger, these are pretty impressive names, and the film even features Twin Peaks fave Ray Wise as a corporate bad guy to add some geek appeal, but its all for naught. They are stuck with a script that is Dead on Arrival, and no miraculous Lazarus Serum is going to resurrect this one.
It is so frustrating, because although the premise is inherently daft (scientists develop a serum that when injected into a corpses brain and activated by an electrical shock brings them back from the dead) it offers all sorts of possibilities but doesn’t even try other than suggesting that sometimes dead is better. No wait, wrong movie….
Lets try again- let’s say they do bring someone back, lets not saddle them with esp/telekinetic superpowers straight away, lets show her demonstrate her acting chops by dealing with being pulled back from Heaven (or Hell, it seems in this case) and returning to the living and all that psychological and religious baggage that entails. But no, I suppose that risks upsetting someone in the audience for ridiculing their belief system or actually making an empirical statement about Life, Death and the Beyond, so instead… lets make her eyes go spooky black and have her bump everyone off one by one. The irony is, even as a horror film this film fails, it simply cannot carry of any level of tension or scares.
Not so much a case of sometimes dead is better, then, but maybe that 1989s Pet Sematary (and Brainstorm and Flatliners before it) is better than previously thought. All things are relative, I suppose, and it does seem that you can count on new bad films showing old ‘bad’ films in a new, kinder light…