2016.97: The Jungle Book
I’ve never seen Walt Disney’s animated version of The Jungle Book, other than the clips they would endlessly re-run every Easter on Disneytime (anybody else remember those?), so in some ways I came into this one in a rather unique (I would imagine) poston of not knowing what to expect. These live-action remakes that Disney are doing are quite clever really, rather like the remakes/reboots that Hollywood in general is so keen on these days. They seem to be working quite well too, on the evidence of this one; such a pity that The Black Hole remake seems to have stalled- if ever a Disney film deserved a (better) remake, its that one. In anycase, this film benefits greatly from modern technology giving it a fresh angle, in just the same way as the recent Apes reboots have for Fox.
Its also ironic, that speaking as someone who bemoans the amount of cgi trickery and how it mucks about with quality film-making, it must be said that the 2016 Jungle Book (inspired no doubt by some chap watching Life of Pi a few years back) would have been quite impossible without cgi. The technology can be responsible for some pretty remarkable film-making, such as Pi and stuff like Gravity. Indeed most films -and particularly much television too- benefits hugely by cgi; like any tool, it just has to be used well. Its just too easy to miss-use it I guess. Its funny, I remember much the same argument being made about those ILM effects back in the original Star Wars era.
Is it the fault of cgi that screen-writing seems to have suffered so greatly over the past twenty years or so? I mean, it has to be partly to blame, mustn’t it. Its too easy to replace drama and carefully orchestrated plots and character arcs with loud explosions and flashy spectacle, and that’s such a shame as films -particularly blockbusters- seem to have degenerated into amusement rides rather than ‘proper’ (as I would call it) epic storytelling like the 1959 Ben Hur.
But that sounds like an old bugger whingeing about the disrespectful masses who wouldn’t dream of watching anything from the pre-Spielberg era of motion pictures and film-makers who have no intention of educating them.We are where we are.
So anyway, Jon Favreau’s rather remarkable new Jungle Book is quite the wonder. As someone who grew up in the ILM bluescreen era, for whom these cgi wonders are still eye-popping so long since Jurassic Park changed the movie landscape, much of the imagery and trickery on show is utterly astonishing. It looks quite ravishing, and I always watch this kind of stuff wondering what Hitchcock or Kubrick would have made of it (sorcery, maybe, but what wizards they might have been handling a toolset such as this in their movies?).
Newcomer Neel Sethi is something of a particular wonder as Mowgli, though, a mote of humanity in a cgi landscape whose bubbly personality and sense of pure innocent wonder is quite charming and steals the show from the effects boys. His performance is a wonder when one considers what the live-action shooting of this film likely entailed (i.e. nothing at all like what the finished film looks like). Vocal casting of the animated characters is pretty spot-on too, with Bill Murray, Christopher Walken, and particularly Idris Elba as the villainous Shere Khan all very impressive and largely equal to the cgi visuals. The jungle feels real, although it most likely is utterly virtual. I have the impression that, like Avatar and Gravity before it, this new Jungle Book is a stepping-stone to something; I’m not sure exactly what, but there is something up ahead, a particular film in ten years time maybe, that when it hits will blow people away and people will trace its lineage backwards to stuff like those films, in just the same way that the Flash Gordon serials led to Star Wars. In anycase, this new Jungle Book is fine entertainment, one of the real achievements of 2016.