Sometimes, expectations are everything: Only the Brave is a frustrating film. Oh, its sincere enough, and a noble attempt at telling its true story with respect and surprising restraint- this isn’t the huge Hollywood effects spectacle that might be expected. It just doesn’t, sadly, ignite (sic). Its such a strange thing- competently staged and with a really great cast (Josh Brolin, Jeff Bridges, Jennifer Connelly)… actually, maybe that cast is the problem, maybe its just too good a cast, with too much cinematic baggage behind them that carries all sorts of expectations in itself.
I was surprised to see that it was directed by Joseph Kosinski, of Tron: Legacy and Oblivion fame, as that in itself would suggest a big, spectacular and horrifying canvas would be put up on the screen but Kosinski seems to deliberately play against those expectations. Its just a different sort of movie than his previous films might suggest. Yeah, there’s those confounded expectations again.
But it isn’t an intimate character-driven piece either, possibly because those big-name actors, or that visually-adept director, aren’t exactly an arthouse cinema bunch. Its therefore caught somewhere in-between, and so intent on treating the real events and people caught up in them with proper due respect that the film just… exists, without really saying anything.
It reminds me rather a great deal of The 33, another film based on true events that impacted on a reasonably large group. While Only the Brave mostly centers upon Josh Brolin’s character, it also tries to flesh out the rest of the Granite Mountain Hotshots that he leads in the firefighting, and like The 33, the film suffers from not having enough time, or perhaps the script isn’t finely honed enough, to do so many characters justice.
I don’t know, its really a strange one. Its a good film, but it just lacks that essential spark, if you’ll forgive one more fire metaphor. I’m tempted to suggest the issue may lie with the score, funnily enough. I just find myself thinking of the film Glory, and James Horner’s magnificent score. Sure the music and the film were perhaps overly manipulative but the combination of film and music involved me, made me feel something. I didn’t really feel anything with Only the Brave; I enjoyed it and found it very worthwhile but it didn’t engage me emotionally. It might seem odd to suggest blame lies with the music score but film music isn’t what it used to be, and the industry has lost something of the genius of the likes of Goldsmith and Horner and that kind of film music, no longer in vogue, certainly worked back in the day.
So a missed opportunity then, unfortunately, but certainly a sincere enough effort.