So, I was suddenly caught reminiscing about The Two Jakes (1990). Haven’t seen the film in years- in fact, not since the VHS days when I bought what was a pan and scan copy in the early days of sell-through. The film seems largely forgotten now, oddy not available on Blu-ray at all (which, considering the pedigree of its cinematography, is something of a tragedy, probably- add it to the list of great films still waiting a HD release). The film was a blind-buy for me, inspired by my adoration for Chinatown (1974).
Well, there’s the elephant in the room: Chinatown is a classic, and didn’t really need a sequel. Shades of Blade Runner there, which is why my mind turned to The Two Jakes in the first place. You see, almost against the odds, The Two Jakes turned out to be a pretty damn good film in its own right- a different kind of film to Chinatown, really, but beautifully made. Its sincere to the original and doesn’t hurt it at all- infact, it exists quite separately but remains a fine continuation for the lead character of private eye J.J.Gittes.
It was directed by the star of both Chinatown and The Two Jakes– Jack Nicholson, and proved to be something of a labour of love for him I think- or an itch he simply had to scratch, something he had to prove? It was a ballsy move, starring and directing in a sequel to such a revered film as the original was. The cast around him was pretty impressive- Harvey Keitel, Meg Tilly, Madeline Stowe. Written by Robert Towne and photographed by the legendary Vilmos Zsigmond, its credentials are plain to see, and it all paid off handsomely.
But you see the parallels: they are obvious. Distant sequel to a great film that doesn’t need one, a returning star with a fine new cast around him, a seperate story, a great cinematographer. Well. If Blade Runner 2049 turns out as well as The Two Jakes did, it will be great. Maybe a welcome moment of history repeating? Certainly it’s a fine example for the makers of the new Blade Runner. Maybe an omen for the fans, too.