Cardinal returns for another six-episodes of murder and intrigue. Readers may recall my post last year about the first season of the show, which was very impressive but distracted me with a ‘where have I see that face before..?’ mystery that was only solved at the end when I realised series lead Billy Campbell was the Rocketeer from Disney’s 1990 movie. The soft-spoken, craggy, life-worn John Cardinal and his internalized emotional turmoil is a long way from the fresh-faced innocent hero of the Disney adventure, and Campbell is again brilliant as the core of this drama.
Based on a series of books by author Giles Blunt (season one based on Forty Words for Snow), Cardinal is a detective drama in a similar mould to so many others on tv. What perhaps helps set this aside from others is its setting, in the fairly wild landscapes of Canada and the urban sprawl of Alonquin Bay, a fictional version of North Bay, Ontario.
While the first season was set in winter, its icy locale a perfect setting for the chilling murders it depicted, this second season is set in the summer, which immediately both distinguishes this season from the other but also lessens the show’s mood and impact that helped set it apart. That said, I did find it helped the show feel fresh and surprising. The wide vistas of snow are replaced with landscapes of green, and characters plagued (as the season title and book it is based upon, Blackfly Season, would infer) by summer flies and procedural investigation of forensic studies of maggots in decaying flesh of victims. Yes, this is gruesome stuff in places. So the show feels a little different due to the change of season, but much of the rest remains the same, and there’s not much wrong with that when it all worked so well first time around.
If I had any fault with it, maybe it would be the odd behaviour of some characters who were just annoyingly stupid and irritatingly weak in places, but that is possibly fault of the original literary source rather than the show-runners, and hey, maybe its all just to serve the drama when we shout at the television screen at crass dumbness and smugly watch its inevitable results.
Fairly concise at just six episodes, this is a show that feels similar to BBC dramas over here that run a similar length – it doesn’t outstay its welcome and rewards inevitable binge-viewing. I’ve read that a third season has already been shot and a fourth has been greenlit, so there’s more to look forward to, which is good news indeed. John Cardinal is a fascinating character well-realised by Campbell and considering the closing events of this season, I am very curious about where the show takes him next year.