Interstellar (2014)

inter2I’m not quite sure what to make of Christopher Nolan’s Interstellar. On the one hand its a bold, intelligent and epic movie concerning space exploration and our place in the universe, and on the other hand, its an incredibly flawed, dumbed-down and infuriating movie concerning space exploration and our place in the universe. How can it be both things at once? I saw the film in Imax (if you see the film, it HAS to be in Imax) last Tuesday and have refrained from writing this post, preferring instead to consider the film for awhile, discussing the film with colleagues at work who I saw the film with. Over the past few days I’ve started to reflect more on what the film does well than its flaws, but I’m still worried this post will swiftly degenerate into a confusing morass of conflicting thoughts…. its that kind of movie.

Its certainly no masterpiece though. Its a good film in many ways, but anyone going to see this expecting something as important and profound as 2001: A Space Odyssey is going to be disappointed.  Sets your sights more towards 2010: The Year We Make Contact or perhaps even Sunshine and you’ll be happier with it. If that sounds like a damning comment then there it is. The one thing I will say in its favour is that they simply don’t make many films with space exploration  as a serious subject so we should cherish Interstellar for all its flaws- we simply are not going to see another science fiction film like this again for some years to come. That makes its flaws all the more frustrating, obviously…

What annoyed me most about Interstellar? For all its touted vision, all the huge effects and scope and acting talent, what this film lacks is a commentary, a voice of its own. Its bloodless. For me one of the most interesting parts of the film is its first act, on the blighted near-future Earth and a humanity that is facing a long, slow extinction. Text-books are rewriting history (the Apollo landings were faked, claimed to be a successful ploy to bankrupt the Soviet Union), farming is the only thing that matters, there are no armies, no space programmes… but nowhere does the film state a reason for this End of the World scenario. Climate change? Global Warming? Rampant population growth? Is the film so afraid to be outspoken, afraid to alienate viewers by being political? With a premise like this , the film should be pissing people off, if only the current political establishments of this planet. Maybe it should be pissing all of us off, blaming us and our way of life for the blight. Have we killed the Earth? If so, do we even deserve to survive? The question isn’t even asked, as if believing that humanity is some innocent victim itself. There is an extinction event going on, God knows how many species already wiped out by the time the film begins, but no explanation offered, no reason or blame for it. We are meant to just accept it somehow. Its the reason for the odyssey that follows, and that’s all. The central premise of the film is stated as ‘Mankind was born on Earth. It was never meant to die here‘. It doesn’t ask why. Why are we not meant to die here, considering its us that fucked it up? The film should be asking do we deserve to survive, and the rest of the film demonstrating the answer.

inter3Doubly troubling is that everything is American-centric, a throwback to films decades past. There’s an irony that if its the free-capitalism and mass-consumption of the Western way of life that has destroyed the planet, its only the Americans that can save it. There’s no Big Picture here, despite the films huge subject. Beyond the rural land of Cooper’s farm, or the rather ridiculous subterranean hide-out of NASA, the big world picture is ignored. Bear in mind that as I write this in 2014, America and NASA cannot even get a man into orbit any more, in light of which the basic premise of the film (forget the Rest Of The World, America Can Save Everything) is insulting, frankly, in something that’s supposed to be so intelligent. Its more Armageddon than Contact, something I found quite surprising.

Some sequences are indeed jaw-dropping pure cinema, as one would expect of a director of Nolan’s credentials. When Cooper finally leaves home to pilot the mission to the stars, he leaves behind his young daughter begging him to stay. The music swells up powerfully, he drives off into the horizon, and as the music lifts up even more the picture cuts to the launch of the rocket, the magnificently bombastic Zimmer score propelling, simply willing the rocket into orbit. Its huge, exhilarating stuff, worth the price of admission alone. Indeed this may well be Zimmer’s finest score in years (it’s up there with The Thin Red Line in my eyes). But goodness is it loud. It drowns out so much of the dialogue some of these plot-points I’m moaning about may indeed have been addressed in the film, I perhaps simply missed it in all the noise. The sound design of this movie is problematic to say the least. It seems to be by design, but if so then I’m not sure it worked to the film-maker’s intentions.

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So once we get into space, and all the promised spectacle of a blockbuster movie, its surprising how mundane it all seems. Have we lost our propensity for awe? Its troubling that Interstellar lacks the sense of wonder or spectacle that the Birth of the Solar System sequence of The Tree Of Life had, or so much of Gravity had (indeed, much of the film looks spectacular but Gravity remains visually superior, and it must really irk Nolan that it beat him to it). Going further back, Kubrick’s 2001 had such a grace in its scale, a sense of the vastness of space, our place in it: the Discovery a dot in the vast blackness of the 70mm frame, and then the humans in turn dwarfed by the construct carrying them. Nolan deliberately avoids hero-shots of the ships, perhaps to maintain an intimacy, or docudrama approach, but this hurts the films sense of scale and majesty. Originally Steven Spielberg was lined up to direct this film, if he had, I don’t think the film would have suffered this particular failing.

Nolan seems so distracted by time dilation and the years separating Cooper and his family back on Earth that the sheer physicality of space travel, the distances and the zero-gravity, food and air supplies, don’t seem to interest him. Even a film as derided as Sunshine had a greenhouse on its ship and a concious concern with supplies and survival. Interstellar is in such a rush to get to the wormhole it treats the odyssey to reach it (the wormhole orbits way out at Saturn)  as something ordinary, like a regular outing. We don’t have time, funnily enough in a three-hour movie, to really get a sense of the ship they are travelling in, establish its internal and external spaces, its functions. The crew leave Earth orbit, jump into cryosleep and wake up at Saturn minutes later. Sure, it moves the film forward but it loses so much grandeur and sense of awe, and once through the wormhole and we reach the Other Side, this sense of the ordinary continues, the prospective planets all (apparently) fairly close to each other, the astronauts tripping between them like in some kind of Star Wars movie. It’s necessary to keep the running time down, but it really diminishes the scale, which is odd, because this film is close on three hours long, and if that’s not long enough to maintain a proper sense of scale in a space movie, then are you doing it wrong? If sub-plots are forcing your hand condensing it all into three-hours, should it even be there?

Its as if they shot two three-hour movies and cut it down to one. Sort of like making a Peter Jackson movie in reverse.

I have endeavoured to keep as much of this spoiler-free as I can. People who have seen the film will have noted that I haven’t even raised certain elements of the film up. Derisive as I may already seem, I haven’t yet brought up a number of elements of the film that are really contentious. Bookcases and coordinates and surprise actors, rather problematic robot designs…  I’ll leave that for another day, perhaps when the Blu-ray comes out.

Suffice to say that while people still argue about what 2001 means, there’s no such argument regards Interstellar– its love conquers all. Yes, I’m afraid its about as high-concept as that. Which is not to say that its a bad movie, its just a frustrating one. Not quite worthy of all its ambitions. This post makes it seem as if I hated the film. I really quite liked it. I look forward to seeing it again. It just isn’t what we had hoped it would be, what it really should have been- a really great space movie. Nearly there, I guess.

Well, we’ll always have 2001...