Well, a pat on my back for watching a disc within a few weeks of buying it (doubt it’ll catch on) but life never gives without taking away, so add another commentary track to the list of all those that I haven’t listened to yet.
(The disc in question was A Most Violent Year, a film which I first watched on a stream back in 2015 and which I really liked, so when I noticed it cheap on Amazon it proved a no-brainer. More on that maybe at a later time, but yeah its still a great film with fantastic cast/performances, but the Blu-ray comes with a commentary track which tempts and infuriates me at the same time).
So anyway, its such a pity that whenever there’s nothing on the television or I haven’t gotten my head into a book, I can’t just suggest to my wife Claire that we settle down with a commentary track from one of those discs (if I did, she’d give me one of her dirtiest ‘are you mad?’ looks for sure: commentary tracks are for film-nerds. True or false?).
Not all commentary tracks are equal. Some are awful. Some are great. Some (certainly those when one gets John Carpenter and Kurt Russell together) are legendary. There’s some good commentaries by academics, film historians or critics- some can be very dry, or feel like they are just reading from prepared notes (which sometimes I’m sure they are), but often they can be more balanced than listening to tracks from cast and crew stroking each others egos and ‘goshing’ at whatever’s onscreen. Some can be surprising, I remember that the Matrix films had commentary tracks from philosophers and critics who didn’t necessarily even like the films. Which made me think at the time what a neat idea it was (although studios would obviously be appalled by it), to perhaps put negative views on some tracks, you know, get someone to argue for, someone argue against, the film in question.
Great unrecorded commentary tracks:
- Alfred Hitchcock on Vertigo
- Stanley Kubrick on anything (although Kubrick and Arthur C Clarke together on 2001 would have been like brushing one’s hand against a Monolith, or falling into a Stargate, I suspect).
- Phillip K Dick on Blade Runner– wouldn’t that have been great? He might have hated the finished film but who knows, he might have loved it and just listening to him see that world through his eyes… sober or high, it would have been a ball.
- Orson Welles on Citizen Kane. Just imagine.
I assure you that if either of those commentaries existed they wouldn’t have remained unlistened to. Crikey, I probably would have jumped into the commentary before even watching the movie. Anybody else got some ideas for great commentary tracks we’ll never hear?