I enjoyed this documentary far more than I had expected to, believing that it was largely redundant at this point, after all the documentaries made about Alien featured on various DVD and Blu-ray releases over the past few decades, and of course all the books written about the film- most recently the late J W Rinzler’s magnificent The Making of Alien volume. An additional handicap is that some primary interviewees are no longer with us (Dan O’Bannon, H R Giger) and Ridley Scott was presumably not available/not interested, therefore forcing the film-makers to use video interviews from those old Blu-ray documentaries with the now so-familiar soundbites. The film’s editor Terry Rawling was a pleasant surprise appearance; he died in 2019 so I suspect this was one of the final interviews that Rawlings attended, if not the last.
And yes to some extent Memory is indeed redundant because there is little here that’s really new regards Alien lore for fans of the film. In some respects its largely a Readers Digest of all the factoids that Alien fans have learned over the years, but I did enjoy some of the points about mythology and symbolism, and how Alien really represents where society and its audiences were back in 1979 – it was clearly the right film at the right time, capturing the cultural zeitgeist and resonating through all these years since. I think there are some very valid points made and some views quite illuminating, particularly regards universal archetypes and myth.
Maybe the films argument that Dan O’Bannon was some kind of genius is a bit of a reach, but its no accident that O’Bannon was connected to some of the most important or memorable film projects that I have seen over the years- Dark Star, Alien, Total Recall, The Return of the Living Dead and Lifeforce. Some of them are great and the others are at the very least great fun (and I REALLY want to catch up with his last directorial effort, the Lovecraftian horror The Resurrected, which has escaped me for years, frustratingly). You don’t get a resume like that in Hollywood without having some talent, and he’s surely qualified as a genre great. Yes, Alien was very derivative of other, earlier movies and the genius of Alien is mostly that of Ridley Scott’s approach of elevating schlock b-movie fodder into serious, top-list quality motion picture, but one can’t deny that what made Alien unique was Giger, and it was O’Bannon who knew the artist (from the aborted Dune project) and championed his work for the film.
On the whole though I really enjoyed this documentary: the title is ironic considering so much of it was like a stroll down memory lane of Alien factoids and familiar faces. But yeah, this is Alien, and I don’t mind being reminded why the film is so bloody great, so this was certainly a very pleasant watch.
Memory: The Origins of Alien is currently available on Channel Four’s On Demand service up to late September, and is also available on DVD and digital download/rental.