I finally -FINALLY- got round to watching my 4K UHD copy of Apocalypse Now last night. Although my copy is the six-disc set with the Final Cut and Redux versions I went with the theatrical, as I think less is more for Apocalypse Now. I know Coppola seems as endlessly fascinated (frustrated?) with this film as his buddy George Lucas was with his Star Wars films, but this film is pretty much perfect as it is. I tried to enjoy the Redux version -I’ve watched it twice and always walk away hating it, so I didn’t even consider watching the Final Cut. Maybe one day, as I guess it’d be a shame for the disc to just sit there, but is there any film out there with two alternate cuts as superfluous as those for Apocalypse Now?
This is such a damned extraordinary film. I think every time I watch it, I get more out of it, and enjoy it all the more, and it just seems more and more remarkable that something like this could even get made (I guess you just had to be the guy behind two Godfather films in order to get a pass for a film like this). Its a work of madness. Of mind-boggling crazy ambition. Its an Hollywood epic in the guise of an Arthouse movie, or maybe its the reverse.
It has, without any doubt, the best voiceover narration of any film, ever. Maybe there is some other film to compete, but if there is I’ve never seen/heard it (closest I can imagine is maybe the voiceover narration for Taxi Driver, although that example feels too obvious).
Some damn fool went and made a sci-fi reboot and called it Ad Astra. Which does make me think, why can’t someone make a sci-film as important and strange and huge and crazy as Apocalypse Now? Maybe Kubrick already did it with 2001: A Space Odyssey. Both films seem as equally important as regards being landmarks in Cinema, although so wildly different.
The 4K disc is pretty much as gorgeous as everyone has said it is in reviews etc. The HDR really does increase the sense of depth and verisimilitude: the Playboy bunnies scene pops out of the jungle darkness and the Do Lung Bridge sequence pops so bright it feels like being stabbed in the eyes. Which does make me wonder about some of these 4K releases, in the case of Apocalypse Now, how it looks with its HDR pass likely surpasses anything cinematographer Vittorio Storaro originally intended or could have hoped for back in its original projection era. Should the film in 4K be considered authentic?
I have one more question if someone could answer it: Apocalypse Now has no title card, no credits at the start and none at the end (the film fades to black and that’s it). I was just wondering how Coppola got away with that or if the film originally had credits during its theatrical release. I wouldn’t have thought the film unions would allow a film to be released without the cast or crew being credited anywhere (didn’t George Lucas get into trouble for leaving Irvin Kershner’s card until the end of The Empire Strikes Back in 1980?).