Forgive me another YouTube link, but this one’s pretty special. This is a one-hour demonstration of the legendary Yamaha CS-80, most famous for its use by Vangelis in so much of his music, particularly during the Nemo days and albums like Spiral, China and the soundtracks Chariots of Fire and Blade Runner, portions of the latter being played midway through the video leaving me amazed. Imagine sitting down with Vangelis at his Nemo Studio in London, as Ridley Scott must have done, and seeing/hearing him play that iconic Blade Runner score…I remember reading stories of Vangelis’ assistant redressing Nemo to establish mood and atmosphere for when the maestro was creating a particular piece of music or an album. Must have been spine-tingling, for instance, when he was performing the first movement from Soil Festivities, say, or Rhapsody from his collaboration with Irene Papas, Rhapsodies. What I would give to be there and to have witnessed it. All in a days work for the Greek maestro, I imagine, but something quite inspiring and astonishing to me.
You couple Vangelis’ mastery of the CS-80 with his vast collection of percussion instruments that filled Nemo and… well, magic is not the word, the recordings speak for themselves and his music back then formed the soundtrack for most of my life since. Timeless, gorgeous sound, and so much of it from this remarkable… do you call it a machine, or instrument?
Vangelis made the CS-80 his own, and funnily enough, it is commented upon by the presenter of this video that one of the only negatives regards the machine is that its so hard to play it without someone remarking “that sounds like Vangelis”. Frankly I think that is possibly the highest praise one could receive but I imagine some musicians would be infuriated by it.
If nothing else, the CS-80 goes to show that progress isn’t always, well, progress, and that in many ways this instrument remains unequalled. Mighty indeed. This is a fantastic video, absolutely fascinating stuff.