The Good: I quite liked the title sequence. It had the flavour of the old Quatermass or Dr Who shows, rather dark and foreboding – I thought the period movie-reel footage was a nice scene-setter and helped establish the time-frame of the show, which in itself was a welcome decision returning to the source novel rather than re-imagining it for contemporary time frames the same way that the George Pal and Steven Spielberg versions did. I think I quite liked the title font (hey, I’m trying to find the positives about this turd, its tricky).
I liked the conceit of continuing the story beyond after the Martians themselves perished (where the story usually ends), instead showing us the world after the war, and those trying to survive and reestablish civilisation- it seemed to offer something a little new. That being said, it infuriatingly made no sense whatsoever as from what I remember in the novel the red weed perished alongside the Martians, killed by the same micro-organisms and bugs of Terran nature that saved humanity. The suggestion that the Martians were infact killed from eating contaminated humans (themselves infected by a typhoid outbreak) and that the red weed (and the Martian Terra-forming) would continue unabated until scientists (well, okay, Amy, our heroine) dumbly figured out that we needed to battle the red weed with the same Typhoid disease etc. was just an incredibly stupid way of doing it.
Er… that’s about it for the Good.
The Bad: Pretty much everything else. The silliness and reliance and poor CGI spectacle was infuriating. I hate nonsensical production design, like the Martians themselves- three-legged monsters that looked like rejects from Pitch Black or any other creature design in the tired-out style of Patrick Tatopoulos, which had fiendish-looking claws etc. but no way (I assume) of actually piloting or even building the War Machines they used to attack the Earth or indeed build the Spaceships to invade it. They didn’t even have opposable thumbs (a requisite of using tools, writing etc) or mouths to communicate with (instead some silly proboscis to eat with). Sure, they looked creepy, but as a scheming intelligent inter-planetary life form able to build huge war machines and space ships, it made no sense whatsoever. It seems to be where we are now; silly writing, silly design, nothing thought-out.
Likewise those spaceships/canisters- hardly large enough to contain a Martian, never-mind the Tripod War Machines that they use to wage war on humanity. I think Spielberg’s movie, as I recall, had some ridiculous conceit that the machines have been buried under the earth for millennia waiting for the invasion to commence- this BBC edition, per its general intelligence level, didn’t feel the need to even bother explaining it. We’ve got some silly spinning levitating sphere that burns people with a heat ray and then the Tripods show up from nowhere.
The flash-forwards to the Red Earth were jarring and managed no real purpose. I assume it was a decision in the editing stage, an attempt to establish some sense of mystery or foreboding but it just irritated me personally, taking me out of one situation into another, and as I have mentioned earlier, typically for this show that Red Earth sequence when it came ‘proper’ in the final episode never really made any logical sense anyway.
The Ugly: Well I feel like I’ve devoted to much of my time and effort on this show already, but lets see- the cast felt wrong, the pacing was all wrong, the effects were sub-par (which I don’t usually mind, as I can manage my sense of disbelief regards visual effects as long as the narrative is interesting enough, but this one wasn’t). The oddest thing was the period setting, and what it offered visually and narratively (simply not having the narrative bogged down with excuses why they couldn’t use their mobile phones or the Internet etc) was completely wasted. There was no real sense of tension nor terror. It wasn’t so much a War of the Worlds as a skirmish with a few villagers and dumb scientists when all is said and done. The leads of the show, George (Rafe Spall) and Amy (Eleanor Tomlinson), share absolutely zero chemistry. We are supposed to believe that charisma-less drip George is married to another woman who cruelly refuses to grant him a divorce and that Amy is pregnant with his child. We are supposed to believe that this frustrated love affair between these two lovers is the soul and heart of the entire drama. Instead its this hopeless void, ensuring we simply don’t care about either of them. Considering everyone seems to be starving and dying in the Red Earth five years after the War, Amy not only doesn’t seem to lose any weight, its alluded to that she may have been one of the very last women to have given birth, and its up to Amy and her scientist buddy to finally figure everything out and save the world from the red weed. Its such a good thing that Amy is around to save us. There’s some very 21st Century anti-Colonial message shoved down our throats towards the end that’s as hackneyed as anything else across the turgid three hours but I won’t comment on it, its just one last example of the kind of thing that ruins modern Dr Who too.
No wonder it took the BBC so long to finally air the thing, it was obviously so bad they were wondering where to dump it in the schedules, so they went ahead and spoiled Christmas.