The second film that I’ve watched in Indicator’s fourth Hammer box-set, Taste of Fear is a psychological thriller from 1961 deliberately set up to arose the viewers suspicions and curiosity and at the same time surprise through misdirection and subversion of those viewer suspicions. Its inevitably unnatural and artificial, rather like being played in a cinematic game between film-makers and audience, which unfortunately reinforces a sense of distance from the proceedings- for myself, rather than feeling immersed in the proceedings I felt distanced from them, always aware of film-maker scheming and manipulation. All films are manipulative of course, the skill is in hiding it- murder mysteries etc always seem to excel in manipulation and are less inclined to hide it, aware its all part of their appeal.
Its to Taste of Fear‘s credit then that I missed the films central twist, and unfortunate that as this is its main success I cannot divulge what that twist is- otherwise the film has little to really offer the viewer. I can comment on the cast, which is really pretty excellent. Indeed, one of the things that most interested me in the film prior to seeing it (indeed the only reason I ever knew of it) was the casting of Ronald Lewis in the film. I have mentioned Lewis here before, and in my review of an earlier Hammer film that I saw him in, The Full Treatment. Lewis was an actor of some talent whose career didn’t ever really hit the highs it might have done, and who died, apparently committing suicide, in 1982, shortly after being declared bankrupt. Films are time-capsules, and Taste of Fear is one- Lewis here in his relative prime and when his career was on the up, ignorant of the reality years ahead that our perspective affords us. I wouldn’t necessarily suggest that he is better here than in the earlier The Full Treatment, but its clear he could have been something of a star with better material and a little luck in choosing it. People today generally have no idea who Ronald Lewis was, and it might have been so very different.
Old films and our contemporary perspective of them and the people who made them can offer sobering insights of the human condition, something that endlessly fascinates me. I was particularly impressed with Taste of Fear‘s lead, Susan Strasberg, who played the wheelchair-bound Penny Appleby- its a great performance that surpasses the limitations of the role and script, she engenders real empathy and she was the clear highlight of the film for me. I was surprised to later learn that Strasberg would only have limited success in film, instead generally appearing onstage and mostly in guest-spots on various 1960s and 1970s TV shows. Shades of Once Upon a Time in Hollywood there, funnily enough.
Its difficult to refrain from looking up actors names from these old movies, seeing what else they were in and inadvertently the success of their career or lack of it, or indeed reading an entire bio in just a paragraph or so. Marriages, siblings, deaths. Lewis died at the age of just 52, Strasberg passed at just 60. Taste of Fear of course will live forever, the two actors in their youth frozen in time, as is the wont of film. Indicator’s Blu-ray release in this box-set is of typically high standard, with some very interesting and informative supplements that perhaps belie how generally forgotten the film has become over the years. I think its nice to think that actors like Lewis and Strasberg can be seen by more people because of releases such as this, and we can watch them and wonder at what might have been. At the very least, it gets bloggers like me mentioning them, and ensures they might be forgotten a little less.