Spider-Man: Into the Spider-Verse (2018)

verse1Some have described this as the best Spider-Man film yet. I’m not so sure about that- I suppose that really depends upon your own history with the character, which has been in print now for over fifty years. For myself, well I read the run from 1963 through to the late ‘seventies, from the Ditko years through to the Romita and Andru years and all had their own pros and cons. For myself, the definitive Spider-Man would be one set during the 1960s, like an episode of Mad Men sprinkled with Ditko’s noir-ish sensibilities, full of period songs and stylish fashion and design. Something like the Batman tv show but done all adult and serious. Clearly, thats never likely to happen, and Spider-Man films are made for today’s readers carrying all the baggage of the 1980s run to the present, which I’m utterly ignorant of (hence my rather clueless bemusement of the Venom film and a strange distance from much of what goes on in recent Spider-Man films- a young ‘hot’ Aunt May? Wtf?).

But you never know- if there’s one thing that Spider-Man: Into the Spider-Verse demonstrates, anything can happen.  Quite a few times while watching the film I had to ask myself if this thing was real, where it had possibly come from. Its an exciting, exhilarating, breathlessly entertaining and imaginative slice of comic-book joy. Its an absolute blast. Back when the film was announced, I wondered what the hell they were thinking of (maybe my thoughts were shadowed by memories of that awful cheesy Spider-Man animated show of the 1960s) but this thing… well, it’s quite gorgeous, and it has a witty script… its great, a real treat. Its a slice of genius really, how it manages to press some kind of ‘reset’ button on everything that’s come before it, and make everything seem so new again- it does make me wonder, infact, where the live-action Spidey movies go without seeming old-fashioned and almost redundant. I’m quite ignorant of the character of Miles Morales having his own comic-book series but I gather he does, no doubt part of all the mythology in the comic I’ve missed since I stopped reading it decades ago. I have the feeling that I had the Spider-Man of my generation, that we deserved back then, and it’s somebody else’s now. I’m fine with that, and while I’d not really be interested in reading the current comics, it’s fun to watch something like this and get a glimpse.

I’d also love to read a Spider-Man Noir book (at last Nicolas Cage is brilliant again, who’d have guessed his true destiny was self-deprecating voice casting? His career could be revitalised for years). This guy deserves a spin-off movie… but then so does Spider-Gwen; it’s part of the genius of this film, how it can appeal to so many different groups of people not naturally ‘into’ the usual Spider-Man.

Did I say it was gorgeous? Its like one of those old Motion Comics (remember them? I tried watching the Watchmen one and retired to the original book in confusion), but on steroids. Its breathtaking really, riddled with all sorts of clever touches, whether it be squiggles or comic panels and lettering, different styles, as if somehow a comic-book drawn by different artists was brought to animated life by some kind of Frankenstein cine-sorcery. I’m sure having only seen it once there’s all sorts of touches/details/geek easter-eggs (I spotted a few) that I’ll pick up on repeated viewings. Its wild and nuts and beautiful.

Its funny, DC could have done something like this with its Batman series- have the old matinee-serial b&w Batman meet up with the Adam West Batman and the Michael Keaton Batman etc. Its a funny thing how even the movie mythologies of these comic-book characters are as convoluted as the original comic ones are. I guess it’s all those years, decades going by.

Into the Spider-Verse almost makes all those reboots and remakes make sense. Maybe it’s making some kind of commentary on the industry and how all these franchises twist and turn in an effort to keep themselves relevant and topical, and, er, make lots of money. I suppose a sequel would be almost an afront, like selling-out almost..

 

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One thought on “Spider-Man: Into the Spider-Verse (2018)

  1. It really is a remarkable achievement. Kudos not only to the filmmakers, but whichever exec(s) were prepared to just let them run with this crazy idea. If there’s one lesson WB/Sony/etc should actually learn from the MCU, it’s probably to put a producer who’s also a comics geek in charge, then let him do what he wants.

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