It seems to me, particularly with films such as this, that Tom Hanks is our modern-day equivalent of James Stewart- an actor whose onscreen persona is one of moral integrity and doing the right thing. I don’t think we have screen icons like there used to be in the grand old days of Tinseltown (empty and false as they might have been in reality), but Hanks seems to buck that – the cynic in me rather suspects it might just be Hank’s crafty choice of projects/collaborators, or maybe his publicity team, but the other part of me just thinks he’s a genuinely nice guy which reflects on his roles.
I still think he would make a fantastic Bond villain, if only for the shock of casting him against type.
Anyway, I often thought about the great James Stewart whilst watching this film- had this been made back in his day it would have been the perfect role for him. As it is, it’s perfect for Hanks, and possibly the easiest piece of casting for any movie project this decade.
I’ve obviously come to this film rather late, but I must confess it was much better than I had expected, which had been a dry, by-the-numbers account of Capt. Chesley “Sully” Sullenberger’s heroic aversion of an air disaster. I well remember the events of January 15, 2009, when a US Airways flight was struck by a flock of birds soon after takeoff from New York’s LaGuardia Airport. With both engines destroyed, the stricken plane’s veteran pilot glided the stricken plane onto the surface of the Hudson River, the first-ever successful water landing of a jet airliner, and saved the lives of all 155 passengers and crew.
It would have been easy to just introduce some of the passengers back-stories, and that of the crew, prior to the flight and then let the events unfold like any other disaster movie (indeed like those old Airport movies of the 1970s). But the film wasn’t the simple retelling of those events that I had expected, as I didn’t really know the full story; instead the film focuses on the days afterwards and the air investigation into the near-disaster, which threatened to lay the blame on Sully and end his career as a passenger pilot- completely at odds with both the public perception of him as a hero and the idolization of the press who loved the ‘feel-good’ story. As the film’s narrative of the investigation progresses we see the graphic account of the fateful flight I’d expected, but broken into sections/perspectives as its framed by the investigation and scenes of Sully trying to come to terms with the traumatic event.
Commendably the film, directed by Clint Eastwood, doesn’t idolize Sully, but rather portrays him as a guy doing his job in extreme circumstances and somehow coming through. Sully certainly seems a reluctant hero overtaken by events. It is, no doubt, still a feel-good story but it’s grounded with some drama and surprising twists. Much better, and more balanced/complex, than I had expected. Nice one.