Cue a really neat segue from my last post, and its proposals of lunar excursions in the next two MI films, to the confirmation that Intrada over in the US has released an expanded and remastered 2-disc edition of James Horner’s Apollo 13 score.
Regular readers here will know of my affection for James Horner’s music, particularly his early scores back when one great score followed another and it seemed like he could turn his hand at anything. There was a time that I’d buy a James Horner soundtrack blind, and go watch a film just because of his involvement. Apollo 13 was released in 1995, just after Braveheart and Legends of the Fall, and just a few years before Titanic would really change everything (I mean, he was popular back then but Titanic would launch him beyond the stratosphere). There is some really great music in Apollo 13, but the original album release really confounded fans, being a strange mix of dialogue, pop songs, sound effects and score, relegating the score music to just a few tracks. Well, it looks like that horrible piece of corporate thinking has been rectified at long last with this edition, combining a disc of the complete score and a disc of Horner’s original aborted album assembly from all those years ago. Why exactly it has taken so long for this to happen is baffling but I suppose with how things are now with CD sales we should think ourselves lucky it’s finally here.
Its certainly a nice start to 2019. I’d really like to see new editions of his Field of Dreams and Legends of the Fall scores, so fingers crossed we have more releases of Horner’s work over the coming year.
This could be a great year for soundtrack albums, with a rumoured three or four-disc edition of Hans Zimmer’s sublime The Thin Red Line score possibly getting announced next week. As both film and score are among my very favourites, if this actually does happen I think this blog will go into some kind of meltdown… and a depressed funk if it doesn’t.