Black Swan meets Tinker. Tailor… or Spies Like Us maybe. An old-fashioned cold-war spy thriller, surprisingly leaning toward the cerebral rather than the OTT fighting or stunts of films like Atomic Blonde or John Wick etc would seem right up my street, but something was wrong here. Maybe it was the strangely farcical plot, which is why I mentioned Spies Like Us. A renowned ballet star, Dominika Egorova (Jennifer Lawrence), living in a concrete tenement block frozen in snow, is looking after her ill mother in-between ballet performances until during a ballet her leg is hideously broken when her dance partner misjudges a jump. Her career ended and her home and mother’s medical care (both provided by the Ballet company) under threat, she is approached by her uncle, Ivan Vladimirovich Egorov (Matthias Schoenaerts), who just happens to be a leading Russian intelligence operative, seeking her help with a case, after which he forces her to be recruited into the Sparrow Academy, where beautiful young Russians are trained in the arts of sexual manipulation and…
Okay, I’ll spare you and stop right there. It really is as silly and coincidental and plot-holed as it likely seems from that attempt at a summary. I haven’t even mentioned a good-hearted CIA operative, Nate Nash (Joel Edgerton) and his Russian Mole (identity secret – a surprise twist later that seems one too many) who is being hunted down by the Russians following a messed-up rendezvous.
It seems well-intentioned and is indeed a return to old-fashioned spy capers but its just hamstrung by a crazy plot and awkward presentation. It just looks and feels wrong and none of the characters really convince- Lawrence’s frustrated Ballerina is just a mystery, we never know what makes her ‘tick’, her dancing is quickly forgotten and in no time at all she becomes a hardened spy who can second-guess and manipulate and fight her way out of trouble when she needs to. There is a sexual undertone between she and her uncle that suggests a Black Swan-like darkness but its not developed, just hangs there, a plot-thread someone forgot or got embarrassed by or didn’t have the courage to develop.
So a frustrating (you should see the cast list- every few minutes it seems some other major actor appears, frankly the script is beneath all of them) film that I can’t really recommend. Even Jennifer Lawrence, who clearly tries, is found wanting and alarmingly vacuous. Some films are just duds, no matter how fine the cast or how proficient the crew (director Frances Lawrence of three of the Hunger Games movies). If the intention was to launch a new spy franchise for Jennifer Lawrence, then hopefully its failed and this will be consigned to the box for unwise cynical green-lights. Its long, its baffling, its ridiculous. Quite bizarre, and I still haven’t seen Lawrence’s mother! yet (what is happening regards her choice of movies post-Hunger Games?)- I’m wary about that one.