Westworld Season Two, Episode Eight

west8Its been awhile coming, but finally an episode from season two just ‘clicks’ and we get Westworld at its very best. Possibly its best ever episode over the two seasons so far, and I sincerely hope the show-runners appreciate this and act on it as the series progresses with season three next year.

The irony of big ‘Event’ shows that HBO, Netflix etc produce is that by their very nature they feel the urge to ‘go big’, as if competing with what Hollywood budgets achieve is some badge of honor. But that is not necessarily what they do best. Game of Thrones has gotten exponentially less interesting over the last few seasons as the show has raised the stakes with ever bigger battles and CGI effects sequences. I may be in  the minority in this, but for me a giant Dragon setting people and buildings aflame is much less interesting and dramatic than one character staring into anothers eyes as they betray them and slash their throat/demand their head on a pike. GOT has lost something as it races into a huge biblical climax designed to ‘wow’ the crowds less interested by the political power plays and character arcs the show was successful at earlier.

Tellingly, this episode of Westworld essentially doesn’t even feature any of the main cast, instead telling the story of a background character and getting to the very root of what the series is truly about. Memory, self, what it means to be human and what reality is. “Where’s the door?”, says Logan “There’s got to be a fucking way out of here? This is the wrong world”.

That, my freinds, is Westworld in a nutshell. And in just the same way that Ridley Scott’s Blade Runner and its sequel suggested that the Replicants were more than human, and better than us, so this episode of Westworld reinforces its theme that the robots/Hosts are better than their creators who act in deplorable and depraved ways, abusing their creations. God is found wanting and the future belongs to the robots/Hosts (if ever the hosts manage to reproduce as per Blade Runner 2049 the shit well and truly is destined to hit the fan).

In particular, this episode focuses on Akecheta of the Ghost Nation, that strange tribe of American Indian warriors who have appeared and disappeared like ghosts through several of the shows previous episodes. Akecheta shares, like Delores and Maeve, an awakening regards his reality, that things are not right, that he has lived ‘past lives’ and that his true life is one of peaceful and loving existence with his wife, Kohana, a life robbed from him by the mechanisms of the theme park.  His quest for truth, and Kohana, leads him to the very heart of that theme park and the bowels of the Delos HQ, where he discovers the warehouse of lifeless hosts that have been discarded (as presumably too broken for repair?), his beloved Kohana among them.

There is a lyricism to this episode that is heartwarming and irresistible.  Beautifully shot and acted, it ties some remaining threads from the previous episode (what happened to Maeve and MIB William) with surprising subtlety – I particularly appreciated how it gave Maeve a new arc, still leaving her child as an eventual goal but perhaps widening out her story now that she is back in the hands of the lab rats. She still has the ultimate goal of reaching her daughter, but with Akecheta now looking after the child, Maeve will be able to focus on the bigger story, the real fight. At least thats what I think its doing; with Westworld its hard to say for sure, and thats part of the fun.

So here we are, and its just a little bit frustrating that only now, eight episodes in with only two remaining, that this season has finally realised the possibilities of the first season and fulfilled that promise. I do hope that this bodes well for season three, but we’ll just have to see what curve balls the last two episodes throw us as we return to the main character arcs and see where the ‘door’ is and what it is. At least, thats where I think we’re going.

 

Great episode though, and (yay!) we even get Anthony Hopkins back as God. In some ways, this episode had it all.

2 thoughts on “Westworld Season Two, Episode Eight

  1. I knew they were going somewhere with the Ghost Nation eventually! Well, I say “knew” — hoped.

    It was certainly very artfully done, and it seems to have gone down very well across the board, but, personally, I felt like it was the wrong time for it. With the season so near the end, I want it to really start bringing things together and show what the point of this season has been, and the placement of this episode felt a little like it was delaying that for another hour. That shouldn’t impact on the quality of the episode itself, of course, but I found myself unable to appreciate it because I wanted to get back to what was going on ‘now’. Maybe if they’d presented it as an episode-long flashback rather than constantly cutting to ‘present’ events? Or maybe it’s just me.

    1. I hadn’t thought of it like that. Maybe when (eventually) re-watched on disc or however, the pace of the episodes won’t seem to matter so much when watching the season over a week, say, of two or three episodes a day? Myself, I’ve felt the season has improved no end with these slower, more intimate episodes, which is as much about my own preferences as the quality of the show (I can never understand how people think BR2049 is a long slow movie, its perfectly fine to me).

      I do agree that cutting back to ‘present’ events (whatever that means on a show of multiple timelines) seemed an irritating distraction, cementing my concern that last seasons ‘stars’ (Delores etc) are boring at this point and the new characters/settings much more involving.

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