One of the odd things about watching Outlander is that it’s one of those shows which no-one else in my social circle is watching. Which is weird, considering how ‘big’ a cultural event the series is worldwide and how popular the books are. No doubt much of the cause of this is the fragmented state of television distribution these days, and this being on Amazon Prime over here. I can only imagine what it would be like in the old days when something like this might have aired on a major terrestrial broadcaster like the BBC. Its surely what they call ‘watercooler television’, but I have to wonder how much of a thing that even is these days, with some shows isolated by their distribution in certain territories
So it often feels like I watch Outlander in a total vacuum. Imagine watching Game of Thrones and knowing no-else who was watching it. No rumours to discuss, revelations to marvel at, no spoilers to avoid from those who have already seen episodes or read the source books. Even just the experience of being outside the fanbase. I’m well aware that Outlander is very popular, but all of that seems to be outside of my cultural ‘bubble’. I feel so feel remote from it, a benefit is that avoiding spoilers is the easiest thing in the world, but a negative is that I suspect I’m missing out on some of the fun. And who doesn’t like sharing their favourite shows?
So here we have season three of Outlander, and yes, it is very good and well worth watching, in some ways a contender to Game of Thrones and The Walking Dead and other popular juggernauts of the tv landscape. It is extremely well made, with a great cast and very good scripts. I gather it follows the books rather closely, and each season, while following an overall arc, does seem pleasantly self-contained with satisfying conclusions to the interior minor arcs of each season. Also there is a fairly distinct difference between seasons which makes the show fresh and interesting- Season 2 went to France and Season three goes on the high seas with nautical episodes, eventually winding up in the West Indies. Again, this is no doubt from following the books and the books themselves taking the lead in moving plot and setting forward (twenty years have occured between the start of season one and the end of season three- compare that to the lack of progression that hurts The Walking Dead over, what, eight seasons now?).
It also is blessed with a musical score by Bear McCreary that clearly demonstrates how much Game of Thrones is sorely lacking musically. Its big. lyrical, emotional, and perhaps while not as astounding as his BSG work remains one of the highlights of his career and for television scoring in general. Many movies (particularly the Marvel ones) could benefit from scoring like this. Outlander has a musical identity that is unique to itself and the soundtrack releases are well worth checking out.