2017.39: Beauty and the Beast (2017)
Why is there a new live-action Disney Beauty and the Beast? It is a valid question, surely. I can only imagine it’s something to do with making money- well of course it is, otherwise it would be about adding something new to the cultural zeitgeist of the 21st Century and, well, this ain’t. Its surely also rather more about furthering egos and careers at the same time as Disney continues its almost incestuous trend of rebooting its back-catalogue of animated classics (previously rebooting Cinderella and Jungle Book, and I suppose Sleeping Beauty in its Maleficent, although I’d give that film points for trying a new angle).
In many respects, this Beauty and the Beast is just another example of an ideas-adverse/intellectually deficient Hollywood in action. And I’m afraid to say, it works: depressingly, this film is the biggest-grossing film of this year, so far. Currently something in the region of $1.2 billion worldwide. So more Disney reboots seem inevitable, for one thing- if it ain’t broke, don’t fix it, as they say.
Watching this film was a somewhat bizarre experience of re-experiencing something I had never seen before. Indeed, at its worst, it seems to follow so closely the original 1991 film, its as if that film was a pre-vis animated storyboard such as they use on many films these days. At its best, the film diverts somewhat, with three new musical numbers and added back-story for some of the characters, the brooding feeling of deja-vu dissipating somewhat as something actually new appears.
But it is such a strange viewing experience, caught in some kind of Philip K Dick-style alternate reality, wondering what the bloody hell is going on. I knew very little of this film going into it, and actually wondered if it would have any musical numbers at all. In hindsight, I must have been some kind of bloody idiot. This is the 1991 Beauty and the Beast done in live-action, musical numbers and all… well, I say live-action; there is an awful lot of digital set-augmentation, digital characters and post-production tinkering of the image in general that at times it looks more animated than live-action, resulting in an almost painterly style to the image that, while it may be pretty to look at does actually make me wonder what actually defines as ‘live-action’ these days.
This 2017 edition is not a terribly bad film by any means, and it does have its moments, but its very existence is rather depressing, and it’s huge box-office success even more so, for what that success portends. I do find it very disheartening how easily the current generation of entertainment industry ‘luvvies’, from actors to directors to producers to craftsmen so readily exult in cannibalising the work and success of those that came before them. As if rejoicing that there is nothing new under the sun and how easy it is to retread paths already taken, basking in the box-office glow that all that audiences want is more of the same but with added sparkle.
I hate the new Star Trek reboots, despair at ‘new’ Alien movies and endless POTC films and Transformers films and all the rest. I really should be concerned that even my beloved Blade Runner is not impervious to current trends. They recently released a ‘new’ Spider Man film and I didn’t bother to even go see it; the thought never occurred to me- a sixth Spider Man film already, and the second reboot too, it just feels ridiculous.
Being a film-lover and writer of a blog such as this is, films like this Beauty and the Beast, as efficiently made as it is, and all the other reboots and remakes and sequels and prequels feels like a never-ending tide. Of course it is too sweeping a generalisation to suggest that this is all that there is, but it is all rather alarming. Yes there are ‘new’ films being made and not all reboots are pointless. But this tide is just getting stronger and I wonder how long it might continue or where it ultimately leads.